The suggestion thread sort of fizzled out a bit, so to speed things along, here's the list of suggestions.
I'm putting the person who suggested each one down so that if they don't participate we all know who to bully and curse. I think if you're participating you should participate - I'm guilty of being half-assed about this, but I really loved some of the discussions we had when I actually made an effort, and I'm definitely going to do that this time.
Here's the deal - if you're going to read the book as part of the group I'll expect you to talk about it a bit (god, I feel like a teacher) but if we read your suggestion, you're especially obligated to discuss it. AT LENGTH. OR ELSE.
No pressure.
Siddhartha by Hermann Hesse (nominated by Dig For Fire)
In the shade of a banyan tree, a grizzled ferryman sits listening to the river. Some say he's a sage. He was once a wandering shramana and, briefly, like thousands of others, he followed Gotama the Buddha, enraptured by his sermons. But this man, Siddhartha, was not a follower of any but his own soul. Born the son of a Brahmin, Siddhartha was blessed in appearance, intelligence, and charisma. In order to find meaning in life, he discarded his promising future for the life of a wandering ascetic. Still, true happiness evaded him. Then a life of pleasure and titillation merely eroded away his spiritual gains until he was just like all the other "child people," dragged around by his desires. Like Hermann Hesse's other creations of struggling young men,
Siddhartha has a good dose of European angst and stubborn individualism. His final epiphany challenges both the Buddhist and the Hindu ideals of enlightenment. Neither a practitioner nor a devotee, neither meditating nor reciting, Siddhartha comes to blend in with the world, resonating with the rhythms of nature, bending the reader's ear down to hear answers from the river.
Oryx and Crake by Margaret Atwood (nominated by Cricket)
In
Oryx and Crake, a science fiction novel that is more Swift than Heinlein, more cautionary tale than "fictional science" (no flying cars here), Margaret Atwood depicts a near-future world that turns from the merely horrible to the horrific, from a fool's paradise to a bio-wasteland. Snowman (a man once known as Jimmy) sleeps in a tree and just might be the only human left on our devastated planet. He is not entirely alone, however, as he considers himself the shepherd of a group of experimental, human-like creatures called the Children of Crake. As he scavenges and tends to his insect bites, Snowman recalls in flashbacks how the world fell apart. While the story begins with a rather ponderous set-up of what has become a clichéd landscape of the human endgame, littered with smashed computers and abandoned buildings, it takes on life when Snowman recalls his boyhood meeting with his best friend Crake: "Crake had a thing about him even then.... He generated awe ... in his dark laconic clothing." A dangerous genius, Crake is the book's most intriguing character. Crake and Jimmy live with all the other smart, rich people in the Compounds--gated company towns owned by biotech corporations. (Ordinary folks are kept outside the gates in the chaotic "pleeblands.") Meanwhile, beautiful Oryx, raised as a child prostitute in Southeast Asia, finds her way to the West and meets Crake and Jimmy, setting up an inevitable love triangle. Eventually Crake's experiments in bioengineering cause humanity's shockingly quick demise (with uncanny echoes of SARS, ebola, and mad cow disease), leaving Snowman to try to pick up the pieces. There are a few speed bumps along the way, including some clunky dialogue and heavy-handed symbols such as Snowman's broken watch, but once the bleak narrative gets moving, as Snowman sets out in search of the laboratory that seeded the world's destruction, it clips along at a good pace, with a healthy dose of wry humor.
Breakfast At Tiffany's by Truman Capote (nominated by Dig For Fire)
No matter how many times you read these stories, you will be moved by Mr. Capote's marvelous sense of and appreciation for the specialness of each life and the ways we belong to each other. Having not read Breakfast at Tiffany's for about 30 years, I came away much more impressed with the novel than I was the last time I read it. Perhaps you will have the same reaction upon rereading it as well. If you are reading it for the first time, you have a very nice surprise ahead of you! Breakfast at Tiffany's revolves around Holly Golightly, the former starlet and cafe society item, who floats lightly through life (like cotton fibers in the wind) looking for where she belongs. Ms. Golightly is and will remain one of the most original and intriguing characters in American fiction. Like a magician, she is both more and less than she seems. But she has an appreciation for people and animals that goes to the core of her soul that will touch you (if you are like me), especially in her desire that they and she be free...
The Bluest Eye by Toni Morrison (nominated by Rosieholic)
Set in Lorain, Ohio, in 1941,
The Bluest Eye is something of an ensemble piece. The point of view is passed like a baton from one character to the next, with Morrison's own voice functioning as a kind of gold standard throughout. The focus, though, is on an 11-year-old black girl named Pecola Breedlove, whose entire family has been given a cosmetic cross to bear:
You looked at them and wondered why they were so ugly; you looked closely and could not find the source. Then you realized that it came from conviction, their conviction. It was as though some mysterious all-knowing master had given each one a cloak of ugliness to wear, and they had each accepted it without question.... And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it.
There are far uglier things in the world than, well, ugliness, and poor Pecola is subjected to most of them. She's spat upon, ridiculed, and ultimately raped and impregnated by her own father. No wonder she yearns to be the very opposite of what she is--yearns, in other words, to be a white child, possessed of the blondest hair and the bluest eye. This vein of self-hatred is exactly what keeps Morrison's novel from devolving into a cut-and-dried scenario of victimization. She may in fact pin
too much of the blame on the beauty myth: "Along with the idea of romantic love, she was introduced to another--physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion." Yet the destructive power of these ideas is essentially colorblind, which gives
The Bluest Eye the sort of universal reach that Morrison's imitators can only dream of. And that, combined with the novel's modulated pathos and musical, fine-grained language, makes for not merely a sophisticated debut but a permanent one.
Wuthering Heights by Emily Bronte (nominated by Rosieholic)
Perhaps the most haunting and tragic love story ever written,
Wuthering Heights is the tale of Heathcliff, a brooding, troubled orphan, and his doomed love for Catherine Earnshaw. His desire for her leads him to madness, however, when Catherine is made to marry a wealthy lord, sending Heathcliff on a life-long quest to avenge himself upon those who stole his only love and his life.
In this gripping chronicle of the never-ending conflict between the heart and the mind -- and the pain and passion of true romance -- Emily Brontë created an unforgettable classic saga of love, desperation, vengeance, and forgiveness. Published just one year before Bronte's death in 1848 at the age of thirty,
Wuthering Heights endures as one of the world's greatest love stories and a classic of English literature.
Kitchen by Banana Yoshimoto (nominated by Rosieholic)
With the publication of
Kitchen, the dazzling English-language debut that is still her best-loved book, the literary world realized that Yoshimoto was a young writer of enduring talent whose work has quickly earned a place among the best of contemporary Japanese literature.
Kitchen is an enchantingly original book that juxtaposes two tales about mothers, love, tragedy, and the power of the kitchen and home in the lives of a pair of free-spirited young women in contemporary Japan. Mikage, the heroine, is an orphan raised by her grandmother, who has passed away. Grieving, Mikage is taken in by her friend Yoichi and his mother (who is really his cross-dressing father) Eriko. As the three of them form an improvised family that soon weathers its own tragic losses, Yoshimoto spins a lovely, evocative tale with the kitchen and the comforts of home at its heart.
In a whimsical style that recalls the early Marguerite Duras, "Kitchen" and its companion story, "Moonlight Shadow," are elegant tales whose seeming simplicity is the ruse of a very special writer whose voice echoes in the mind and the soul.
The God of Small Things (nominated by Rosieholic)
With sensuous prose, a dreamlike style infused with breathtakingly beautiful images and keen insight into human nature, Roy's debut novel charts fresh territory in the genre of magical, prismatic literature. Set in Kerala, India, during the late 1960s when Communism rattled the age-old caste system, the story begins with the funeral of young Sophie Mol, the cousin of the novel's protagonists, Rahel and her fraternal twin brother, Estha. In a circuitous and suspenseful narrative, Roy reveals the family tensions that led to the twins' behavior on the fateful night that Sophie drowned. Beneath the drama of a family tragedy lies a background of local politics, social taboos and the tide of history?all of which come together in a slip of fate, after which a family is irreparably shattered. Roy captures the children's candid observations but clouded understanding of adults' complex emotional lives. Rahel notices that "at times like these, only the Small Things are ever said. The Big Things lurk unsaid inside." Plangent with a sad wisdom, the children's view is never oversimplified, and the adult characters reveal their frailties?and in one case, a repulsively evil power?in subtle and complex ways. While Roy's powers of description are formidable, she sometimes succumbs to overwriting, forcing every minute detail to symbolize something bigger, and the pace of the story slows. But these lapses are few, and her powers coalesce magnificently in the book's second half. Roy's clarity of vision is remarkable, her voice original, her story beautifully constructed and masterfully told.
Heart of Darkness by Joseph Conrad (nominated by Rosieholic)
Joseph Conrad’s Heart of Darkness was first published in 1899 in serial form in London’s Blackwood’s Magazine. Loosely based on Conrad’s firsthand experience of rescuing a company agent from a remote station in the heart of the Congo, the novel is considered a literary bridge between the nineteenth and twentieth centuries. With its modern literary approach to questions such as the ambiguous nature of good and evil, the novel foreshadows many of the themes and techniques that define modern literature.
Loaded by Christos Tsiolkas (nominated by Rosieholic)
While nihilism may be out of style in fiction-- and I'm not sure what the word means-- this novel surely qualifies. Besides sex and drugs, and certainly not in that order, there isn't much that interests Ari-- certainly going to college, finding a job or being decent to the people he has sex with are not in the picture. He doesn't like Melbourne or the Australians or the Greeks or the Vietnamese-- the list goes on and on.
Fight Club by Chuck Palahniuk (Ah, Rosieholic - what you've let yourself in for with all these suggestions!
)
Having seen Fincher's movie first, I was pleased to find that the book was sufficiently different so as to demand a thorough reading by all those who appreciate the film. The movie was a visual masterpiece, whereas the novel is a philosophical attack on our modern consumerist lifestyle. Tyler Durdan is the second coming, chosen to liberate our lost generation from the materiality and reproducibility that encompasses modern day society. Fincher did a fair bit of plot re-arranging for its translation to the screen, and whilst the results were brilliant, there are still further hidden gems that didn't make it. Anyone who appreciated the film should definately give this book a read.
Linear Mode
