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Originally Posted by violet_jones one of my 2 favourite poets the other one being anne sexton
i love daddy, prsuit, the insmoniac, poems for a birthday, tulips, the elm and the cut
someone said they find some of her work funny and i totally agree in places it IS funny in an ironic sort of way.
reading her biography was very sad i wish she'd lived long enough to see how popular her poems and novel became |
Thanks. "The Tour", written after Ted left, about some annoying aunt visiting, is to me a good example of Plath's dry humour. (The parts I've put in capitals, Plath puts in italics, but I can't be stuffed adding all those fiddly
bits just now) :
The Tour
by Sylvia Plath, 1962
O maiden aunt, you have come to call.
DO step into the hall!
With your bold
Gecko, the little flick!
All cogs, weird sparkle and every cog solid gold.
And I in slippers and housedress with no lipstick!
And you want to be shown about!
Yes, yes, this is my address.
Not a PATCH on your place, I guess, with the Javanese
Geese and the monkey trees.
It's a bit burnt-out,
A bit of a wild machine, a bit of a mess!
O I shouldn't put my finger in that
Auntie, it might bite!
That's my frost box, no cat,
Though it LOOKS like a cat, with its fluffy stuff, pure white.
You should see the objects it makes!
Millions of needly glass cakes!
Fine for the migraine or the bellyache. And this
Is where I kept the furnace,
Each coal a hot cross-stitch—a lovely light!
It simply exploded one night,
It went up in smoke.
And that's why I have no hair, auntie, that's why I choke
Off and on, as if I just had to retch.
Coal gas is ghastly stuff.
Here's a spot I thought you'd love—
Morning Glory Pool!
The blue's a jewel.
It boils for forty hours at a stretch.
O I shouldn't dip my hankie in, it hurts!
Last summer, my God, last summer
It ate seven maids and a plumber
And returned them steamed and pressed and stiff as shirts.
I am bitter? I'm averse?
Here's your specs, dear, here's your purse.
Toddle on home to tea now in your flat hat.
It'll be LEMON tea for me,
Lemon tea and earwig biscuits—creepy-creepy.
You'd not want that.
Toddle on home, before the weather's worse.
Toddle on home, and don't trip on the nurse!—
She may be bald, she may have no eyes,
But auntie, she's awfully nice.
She's pink, she's a born midwife—
She can bring the dead to life
With her wiggly fingers and for a very small fee.
Well I hope you've enjoyed it, auntie!
Toddle on home to tea!
Incidentally I have "Johnny Panic ... " There are two versions of it. One has more examples of her prose than the other. Ted Hughes states in his introduction that Sylvia would "never" have published the majority of the stories, so he was doing so "against her better judgement". (Gee, I wonder what his motive was in publishing it at all?

)
It would be fascinating if somebody could locate the "missing" manuscript of Plath's second novel, "Double Exposure". Sylvia wrote in numerous letters to people that she'd nearly finished it, that it was in her opinion a LOT better than The Bell Jar and she was far more proud of it. It was all about a "marriage flawed in deceit". She wrote to her mother that far from wanting to forget about her marriage break up, she was "commemorating" it in Double Exposure.
Hughes says in Johnny Panic that he remembered the manuscript being about 130 pages long, but without explanation, adds that it "disappeared" around 1970.